Camera direction
Use one clear camera move that supports the action
Camera instructions are easier to follow when they define a starting frame, a simple path, a speed, and an ending frame. More movement is not always more cinematic.
Start and end with framing
State the opening shot size and the final composition so the move has a visible purpose.
Choose one dominant path
A dolly, pan, tilt, crane, orbit, or handheld follow should be the main instruction. Avoid stacking incompatible paths.
Match speed to the story
Slow moves support observation and suspense; faster handheld motion can add urgency but needs strong continuity anchors.
Quick answers
Questions about this workflow
Which movement is safest?
A locked shot or slow push-in is often the most predictable starting point.
Can every scene move differently?
Yes, but the sequence usually feels stronger with a consistent camera language.